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Classical FM in the US operates at 64 kbps, the bitrate threshold where classical music maintains presence despite compression constraints. The format stays traditional - orchestral repertoire, concertos, chamber works cycling through established canon. No experimental turns. This reaches audiences owning physical recordings and appreciating consistency. Presentation matters deeply. Announcers deliver performer names and piece information without editorializing. Production feels established, professional. The target audience values competence over personality. It's the station working in hospi…
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